Class 11

Crit Assignment 2: Tattoo

Assignment 3: Beverage Bottle Review & Inspiration

The Assignment

Inspiration

http://www.pinterest.com/enygren89/package-design

Vintage Labels

Vintage Labels
Vintage from Retrographicdesign Vintage Beverage Labels Vintage Beer Label
vintage wine labels
Vintage Beer Label Vintage Ale Label
Vintage Ginger Ale Label Vintage Ginger Beer Label

Soda Pop Labeling

Fentimans Sodas

Fentimans

Taylor's Tonics Taylor's Tonics Taylor's Tonics Taylor's Tonics

Taylors Tonics

Sprecher Brewery

Sprecher Brewery

Beverage Label Preparatory Technique

Photo of empty bottle with ruler next to it
  1. Find a bottle, take a photo of it next to a ruler to hand in with your assignment.
Photo of paper taped to bottle: Front Photo of paper taped to bottle: Back
  1. Tape some paper onto the bottle in roughly to position you want your label or labels. Gridded graph paper works best, but any paper will do. Tape it well enough so you can draw on it.
Photo of label sketched out on bottle
  1. Do a rough sketch on the paper on the bottle of how you want your label to look on the bottle. Pay attention to how far your design can wrap around before the sides get obscured by the curve of the bottle.
Drawing straight line by keeping pen still and turning bottle

Curved sections of the neck on some bottles can be tricky. Hold your pen still with one hand and rotate the bottle with your other hand

Photo sketches laid flat
  1. Remove the sketch, lay it flat, and photograph it. Measure it with a ruler for the correct sizing.
Placed photo in Illustrator
  1. Use Menu > File > Place... to load the file into your already correctly sized Illustrator doc. Scale the image until it matches the width of the artboard. (In this case, the sketch was 4.5 inches wide and 3.25 tall, so I shrunk down the photo of the skecth to the width of the 4.5 x 3.25 artboard).
Sketch in clipping mask with 25% opacity

It's handy to put the place image into a Clipping Mask and set the opacity back, then lock the layer.

You will be graded on how well you design works on your specific bottle. Keep in mind that bottles are stacked next to each other on the store shelf, so the text and artwork on the bottle must be readable from the front - don't make the mistake of wrapping your artwork too far around the bottle to be read.

Illustrator & Color

Let's Look Closer At The Default CMYK Swatches

CMYK represents 4 colors of ink, printed on top of each other at angles (0°, 15°, 45°, 75°) to create different colors:

CMYK Screens CMYK Screens
Swatch Options

Double-click a swatch in the Swatches panel for it's options dialog

Note the Color Type: Process Color

Note the Color Mode: CMYK

A word about CMYK vs. Spot color and the "Global" setting

How To Mix Your Own Colors

Use the Create New Swatch menu item in the Color Panel, or the Create New Swatch button in the Swatch Panel. Set the Color panel to Show Options to view sliders.

Color Panel

Mix with the slider (which is kind of clunky)

Mix with the rainbow thingy in the Color Panel (also kind of clunky)

Use the Color Guide (more on this next time...)

Or use the intuitive one, HSB

Color basics: HSB = Hue, Saturation, Brightness

Use the H S B radio buttons to pick which color aspect you want to change in the vertical bar next to the buttons

Hue selected (in Degrees out of 360°)

Saturation selected (in percent out of 100%)

Brightness selected (in percent out of 100%)

illegal color

Watch Out For Colors That Can't Be Printed!

The color picker will let you choose colors that can't be printed with CMYK inks. A warning icon will appear next to the color when you pick an illegal color

About Color Ranges, Or "Gamuts"

Light Prism

We see colors with lightwaves. When white light (which contains all colors of light - remember prisms and rainbows and Newton?) hits a red colored object, that object absorbs all the non-red colors of light and reflects only the red lightwaves. Our eyes can see a set of colors in what's called the Visible Spectrum. Certain media, like CMYK printing, can only create a limited subset of all the possible colors we can see. This subset is called a "Gamut"

icon

When you go outside the gamut that CMYK can reproduce, Illustrator will tell you with that little ! icon

Color Gamuts

This is a graph of different gamuts. Purely speaking, the real world of a color graph like this is 3 dimensional, this graph only shows one dimension. But you can see that the CMYK Gamut, the blue outline in the middle, is smaller than the RGB Gamut, which is smaller than the Visible Color Gamut.

Why Does It Matter?

It matters because if you do something that looks great on-screen but is out of the CMYK gamut, you'll be really disappointed when it gets printed (and your client might refuse to pay you and you could get stuck with the printing bill).

Working With The Color Guide

Great slide shows: Everything you know about color is wrong...

The color guide uses Harmony Rules to create color sets you can use.

Pick a Harmony Rule from the popup menu, then double-click on the left-most color tab to apply the rules.

Click on any color to apply it to the current object.

color_harmonies-analagous

Color Harmonies: Analagous (source .ai file)

color_harmonies-complementary

Color Harmonies: Complementary

color_harmonies-pentagram

Color Harmonies: Pentagram

color_harmonies-Tetrad

Color Harmonies: Tetrad

color_harmonies-Triad

Color Harmonies: Triad

color_harmonies-shades and tints Color Harmonies: Shades & Tints

Changing Colors With The Recolor Artwork Button

recolor Source

Recolor Sample File

recolor Source

Recolor Sample File

Select one of the samples

recolor button

Click on the “Recolor Artwork” button in the control panel

recolor dialog

The New Recolor Artwork dialog

New this year, and finally useful. It was a bear to work with before, so complex as to be nearly useless. Finally, someone at Adobe made this work. Key features:

Recolor Artwork Videos

It's so new there's not much out there yet. Here's one from Adobe

Adobe Color CC

color.adobe.com

Recolor Edit

Has same set of Color Harmony rules as Illustrator, but individual colors are really easy to edit and adjust.

Sign in with Adobe ID to save color sets or do a screen capture and sample colors with eyedropper tool.

Save the color set with Save Color Theme .

Recolor Edit

Once saved, it will show up in the Adobe Color Themes panel in Illustrator

Recolor Edit

Other goodies

New Illustrator Gradient Type: Freeform Gradient

gradient types

Adobe Help Page

Pineapple

Sample File (freeform_gradient.ai.zip)
This type of gradient was really hard to do before!

Stroke vs. Scale

Stroke Vs. Scale

Why its better to stroke a shape than scale it (sometimes) (stroke_vs_scale.ai)

FX!

FX Menu

3D

  • Extrude & Bevel
  • Revolve
  • Rotate

Powerful, tricky to use. Not worth our time to try and figure out for the results. If you really want good 3D, use Maya. Although, you it can be useful for some things:

Pineapple

source: pineapple_steps.ai.zip
pineapple.ai.zip

Convert To Shape

Convert to Shape

I have no idea why these exist. I managed to find a tutorial for a very edge-condition kind of trick, but really, who needs it?

Crop Marks

Crop Marks

Make crop marks for cutting a rectangle containing the selected object. Useful for preparing camera-ready artwork or cutting a printed object out.

Distort & Transform

FX Distort

transformed

Transform... (transformed.ai.zip)

Paths

Pathfinder

Path

Similar functions on multiple objects as the Pathfinder Window, plus a few unique ones which only work on grouped objects:

Sample File: Pathfinder-fx.ai.zip

Rasterize...

Stylize

FX Stylize

fx_stylize.ai.zip

SVG Effects

Scalable Vector Graphics (SVG) is a method of using vector graphics on the web as a file format. Cool stuff, but it's really about the saving something in an .svg file. The filters work in that format for use on the web.

FX Stylize

Sample File: SVG_fx.ai.zip

FX Stylize

Actual SVG graphic in a browser

<img src="http://www.khazar.com/star-blur.svg" />

SVG Code for Blurry Starr

<?xml version="1.0" encoding="utf-8"?> 
<!-- Generator: Adobe Illustrator 23.0.0, SVG Export Plug-In . SVG Version: 6.00 Build 0) --> 
<svg 
     version="1.1" id="Layer_1" xmlns="http://www.w3.org/2000/svg" 
     xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" 
     viewBox="0 0 100 100" 
     style="enable-background:new 0 0 100 100;" 
     xml:space="preserve"> 
    <filter id="AI_GaussianBlur_4"> 
        <feGaussianBlur stdDeviation="4"></feGaussianBlur> 
    </filter> 
    <symbol id="star" viewBox="-67.74 -64.42 135.48 128.85"> 
        <linearGradient 
            id="SVGID_1_" gradientUnits="userSpaceOnUse" 
            x1="0" y1="55.6988" 
            x2="7.294410e-15" y2="-63.428"> 
            <stop offset="0" style="stop-color:#F9ED32"/> 
            <stop offset="1" style="stop-color:#BE1E2D"/> 
        </linearGradient> 
        <polygon 
            style="fill:url(#SVGID_1_);
                  stroke:#2E3192;
                  stroke-width:5;
                  stroke-miterlimit:10;" 
                  points="0,56.42 14.31,12.9 60.13,12.74 23.16,-14.33 37.16,-57.95 0,
                  -31.15 -37.16, -57.95 -23.16,-14.33 -60.13,12.74 -14.31,12.9 "/> 
     </symbol> 
     <use xlink:href="#star" 
          width="135.48" height="128.85" 
          x="-67.74" y="-64.42" 
          transform="matrix(0.6147 0 0 -0.6147 50 49.5171)" 
          style="overflow:visible;
                filter:url(#AI_GaussianBlur_4);"/> 
</svg> 

Warps

Use the Warp Effects under Menu > Effect > Warp... or in the Appearance Panel's Fx popup menu

Warp Options

Hint: Hide Edges first with Menu > View > Hide Edges

Getting a half-arc and other fanciness

Asymmetrical Warp

Source (asymmetrical_warp-outlines.ai.zip)

Combining Effects

FX Combo

fx_combo_2.ai.zip