Lecture 6: Watercolors, & Pen & Ink
Warmups!
Handy Trick
Painter often fails to switch the the hand cursor when you hold the spacebar key. Try holding the spacebar, moving the cursor without clicking, then click-drag the workspace around.
Another Handy Trick
To get the best results when setting tracking, start with light pressure then end with heavy pressure. You're screen might look something like this:

This will give you a good range of sensitivity with pressure.
- Set tracking
- Three One Minutes
- Use New File, 1200px x 1200px, 150ppi, white paper (portrait or landscape, your choice)
- One Five Minute
WebAccess Section: Brush Samples
I've added a page to our web site that consolidates all the brush samples I've done in one place. Included are:
Painter's Digital Watercolor, Watercolor, and Real Watercolor Brushes
I have no idea why there are three types. Digital Watercolor and Watercolor have been around for a while in Painter, Real Watercolor is new as of Painter 12.
Digital works on any layer or the Canvas, Watercolor and Real Watercolor work on special Watercolor Layers
Skip Allen has an excellent set of videos (7) on working with the three types of watercolor to achieve a very watercolor-like image
Digital Watercolor
Techniques
- Unlike Watercolor brushes, it works on any normal layer
- White = clear water
- Works in regular layers
- Painter Gotcha!: Sets non-canvas layers to Gel composition unless a non-Digital Watercolor brush has already been used on that layer, in which case, Digital Watercolor will fail
- Useful Feature: Set up commonly used brushes in a separate palette of custom brushes like Fine Tip Water,
Fine Mop Brush, Tapered diffused Water (remember to hold down the shift-key when dragging off the brushes)
(looks better in Painter 2017)
- Use one end of the tablet pen for Fine Tip Water and the other for Finer Mop Brush
- Source photo
- Pencil sketch from Cloned photo, clone turned off.

- Flower painted in on one layer

- Flower glazed for shadow area at bottom

- Background painted in and edges cleaned up around flower

- Cool trick: Copy the background layer to make it more intense and darker

Variations
- Add some salt

- Add some Paper Texture
- Drop all for paper texture, or Painter will drop it for you. If it was a watercolor layer, Painter (without updating the Layers Panel's name) will turn the current watercolor layer into a non-watercolor layer.

Pen & Ink
- Use the Fine Point variant of Pens
- Choose 100% black
- Use Smooth Ink pen for thick/thin lines
- Use Nervous Pen for a sense of spontaneous energy
- Pen Variants
A Pen & Ink Drawing
2014things.zip Croquil Pen 5
things_cube.ai
- A cube drawn out for correct 3-point perspective in Illustrator
things_scan.png
- A scanned sketch from the Illustrator printout with things roughed in
things_001.rif
- Ink outlines of things, box, and horizon
- Note that the outlines are on their own layer
things_002.rif
- Adds a folder with layers of filling in the things with white shapes made with the pen tool
things_004.rif
- Shades things on several layers
things_005.rif
- Shades things on several layers
things_background.psd
- A composite collage of cumulus clouds and an ocean surface, turned to greyscale and sized for the things drawing (1856 x 3)
cumulusclouds.jpg
- Source image used to trace cloud background from
Auto Painting with Custom Strokes

Source: auto_painting-scripps_sunset.zip
Painter Wow Book, chapter 7, pp 270-272
Create an Underpainting
- Open example photo:

- Open Auto Painting Panels

- Set like this:

- Save the Color Scheme with the plus sign next to the Photo Enhance popup menu
- Save the under-painted image as "scripps_sunset_underpainting"
Record a Custom Stroke
- Make a new scratch document to throw away later
- Set brush to Pastel > Variable Oil Pastel, default size (16.4px) Size
- Practice a few times to get something like this:

- In the Auto Painting panel (part of the Underpainting/Resoration/Auto-Painting panel set) click on the "Record Stroke" menu from popup menu under the little triangle next to the Stroke popup menu

- Paint the stroke. You can try more than once until you get one you like, Painter will only record the last stroke you made (from stylus down to stylus up)

- When you've got one you like, choose Save Stroke from the same popup menu

- Save it as "My Stroke"

Make a Clone
To start the auto-painting, we'll create a clone to work from.
- With the Scripps Sunset Underpainting window in front, choose Menu > Quick Clone, or choose the Auto-Clone button in the lower right of the Underpainting panel:

Start Auto-Painting
- Turn off the Tracing with Control/Command-T
- Switch to the Auto-Painting panel:

- Choose a brush: Let's use the same Variable Oil Pastel
- Variable Oil Pastel might include Color Variability. Open Menu > Window > Brush Control Panel --> General
- Double-click on Color Variability if it's not fully visible
- Set the HSV sliders each to a low value, ~ 25 or less
- IMPORTANT STEP: Set the brush's color to Clone Color:

- Set the Auto-Paint panel with custom brush stroke thusly:
Stroke: My Stroke, Randomness: 95%, Pressure: 90%, Length: 50%, Rotation: 180°, Brush Size: 75%
- Make sure the brush is still set to Variable Oil Pastel!
Rough Version
- And, play it:
10sec
30sec
1 Min
2 Min
- Save as Scripps Sunset Rough.riff
Fine Version
Add smaller strokes for greater detail
- Set Auto-Painting to:

Randomness: 30%, Pressure: 85%, Length: 35%, Rotation: 180°, Brush Size: 25%
- Run it:

Refine It
Work with brushes directly to add details
- Use Artist's Pastel Chalk to rough in details
- Use Sharp Pastel Pencil to finalize details
- Work with both Clone Color on and off


More Info
Great resource on Auto Painting from Corel: tutorials/premium_John_Derry.pdf
Try some Auto-Painting with Smart Brushes!
Assignment 2: Watercolor
Link
Due Class 9, March 14th